Friday, August 31, 2018
End-of-Week Chen (8/31/18): Lemley and Dr. Lobotomy
I guess I'm sorta late to the game when it comes to Titansgrave, the first setting for use with Green Ronin's Fantasy AGE RPG (which was originally introduced as the system behind the company's Dragon Age RPG). Wil Wheaton (yes, Wesley Crusher of Star Trek: TNG fame) helped create Titansgrave, and ran a bunch of sessions that aired online a few years ago. You can go here to watch Wheaton run the seminal Titansgrave sessions.
The Titansgrave setting combines magic and technology. Yes, think Shadowrun. But on another planet. And with more of a medieval flavor in some ways. But also blasters, flying vehicles, cyborgs, and neon. Lots of neon.
The illo above is by Rayden Chen, and depicts one of the characters from Wheaton's Titansgrave sessions: Lemley, who wields a blade named "Dr. Lobotomy" from her cybernetic arm!
In general, I kinda dig the setting and the vibe! Plus, having run a few sessions of Dragon Age a little while ago, I've learned to like the AGE system. Once my current Labyrinth Lord campaign is over, I'd consider running some Fantasy AGE, perhaps on Valkana (the planet featured in Titansgrave).
Posted at 12:00 PM 0 comments
Labels: art*, artists*, inspiration*, titansgrave*
Friday, August 24, 2018
End-of-Week Denmark (8/24/18): Mars Attacks!
I'm getting back into the Edgar Rice Burroughs stories about John Carter of Mars, which of course reminds me of Warriors of the Red Planet by Thomas Denmark and Al Krombach. I also decided to do a late pledge for the John Carter of Mars RPG that was Kickstarted recently. Someday I'd like to run a WotRP campaign, using the JCoM content as a resource.
Posted at 1:42 PM 0 comments
Labels: art*, artists*, inspiration*, mars*
Friday, August 17, 2018
Salton Seekers - Session 1: Into the Barrowlands (and 1st Annual D&DBQ)
We kicked off our reinvigorated Salton Seekers campaign in grand Summer style last Friday! We decided we would hold our inaugural D&DBQ! Props to my boy Jim for granting the event its name!
So, before the gaming started, we gathered up some barbecue staples, everything from burgers and dogs to kielbasa and chicken. We also had a bevy of sides, and even a cheese and cracker plate! We're not barbarians, folks (especially because we're playing Labyrinth Lord)! No, we have class (or rather, classes...seven of them, to be exact)! And of course, the beer flowed freely!
After fueling up, we headed to the gaming table! Here's the characters and the players:
- Devalla of the Mountains, level 2 magic user (Derek)
- Nikolaus, level 2 cleric of the One True God (Jay)
- Xander Darkwood, level 2 thief (Dan)
- Varhauth Chainsman, level 2 fighter (Jim)
- Gideon Silverleaf, level 2 elf (Pat, who arrived toward the end of the session)
To set the scene: On the planet Æarth, at the northern tip of a continent ruled by the New Thulian Empire (which arose from the ashes of the Old Thulian Empire), lies the frontier city of Salton (known as Salt Town when it was founded as a humble fishing village hundreds of years before).
So, the session started with the gang (minus Pat's elf because he was running late for the game) gathered at the adventurer's guild. One of the guildmasters made some announcements of adventuring opportunities in the area. The party decided to head to the barrowlands, to investigate the rising of the dead (for the promise of a reward of 50 gold apiece if they could bring back some good evidence of what is causing the dead to rise).
The rumor is that something is amiss with the neutral god of death, Nergal, who hates undeath for obvious reasons (he wants the dead to stay dead). There are two gods who are in constant conflict over the domain of undeath: Set and Orcus. The Church of the One True God doesn't like any of these opposing deities!
A half-day's ride on rented horses brought the party to the eerie expanse of burial mounds south of Salton, a place eternally drifting with mist and strangely quiet. As the group began to explore and investigate, they found a trail of somewhat fresh blood, as if someone had been dragged through the calf-high grass after being killed.
The gory trail led to the entrance of a smaller barrow, which had been opened some time in the past. They were met with a grizzly sight: the half eaten remains of some human limbs. There was a strange darkness within the barrow entrance that neither daylight or lantern light could illuminate. Xander the thief detected wet sounds emanating from the barrow...
After a lot of cautious planning, the group moved into the darkness of the barrow. Within, they found a sarcophagus, behind which hid several ghouls finishing a gory feast of human flesh. The cleric cast Light, bringing the illumination of the One True God to the chamber, which finally banished the unnatural darkness that their torches and lamp could not.
The party made short work of the ghouls, then studied the sarcophagus. The lid sported a carving of a strange-looking beetle. Actually, evidence pointed to the fact that the lid once featured a different carving, one that was reworked into the shape of the beetle for some reason. They decided to open the sarcophagus. Pushing open the lid, they saw a body wrapped in bandages, adorned with magnificent jewelry and with an ornate silver dagger on its chest. There was also a scroll resting above the head of the wrapped body, with a wax seal bearing the eye symbol of Nergal, god of death.
Nikolaus the cleric decided to break the seal. The scroll was written in ancient Thulian, which the magic user Devalla can read. The scroll was a blessing for one called Sheeara, a priestess of a god called Khepri. Nikolaus knew that Khepri is worshiped in the deserts far to the south. The scroll praised her for her sacrifice in the struggle against the vile servants of Set and Orcus. The group cut open the corpse's bandages to reveal the recently deceased Sheeara herself. Out of respect, they resealed her sarcophagus.
Though the party had enough evidence to obtain their rewards, they decided to check out the central barrow in the vicinity, surrounded by a ring of standing stones and rumored to be the entrance to a maze of tunnels below. They noted much evidence of other adventurers having come and gone from the area: broken arms and armor, signs of old blood, cast-off equipment.
Entering the central barrow, they saw a old, much used tripod with a pulley system and rope hanging down into a pit at the center of the chamber. The group used one of their own grapples and rope to lower themselves down. They saw more evidence of many past adventurers in the form of graffiti, some crude and some ominous, mentioning the deaths of comrades.
The party found passageways that seemed well-constructed, not the rough tunnels they were expecting. They turned down a short passage and inspected a door. Moving through it, a trap was triggered that brought down a heavy stone slab in the doorway. They group had no choice but to throw themselves into the room beyond the door. Another door, on the opposite side of the small 20' x 20' room, burst open, and five grotesque humanoids ran in, armed with crude but wicked-looking weapons. The beings themselves were strange hybrids of man and animal, and some looked like mutated humans.
The party slew two of the creatures, causing the rest of the hideous humanoids to retreat back through the door from which they entered. Then, the stone slab that had trapped the adventurers raised back up, allowing the group to escape. It was then they encountered Gideon the elf (Pat arrived after work), who had just come down from above, on a mission from the elf king of Dolmenwood, Atanuwe.
The group, with Gideon now joining them, decided to head back to Salton before night fell. They were able to return to the city before too late in the night. They promptly returned to the adventurer's guild, and showed their evidence to one of the guildmasters, who suggested that the scroll be taken to the temple of the One True God for study. The party decided to rest for the night at the most notorious inn in Salton: the Wanton Cockatrice. That's where the session ended, well after midnight in the real world!
Thanks for reading this recap! I hope I wasn't too cheesy...
Session two will, hopefully, happen very soon!
Posted at 12:14 PM 0 comments
End-of-Week Elmore (8/17/18): Conan the Mercenary
Posted at 10:32 AM 0 comments
Labels: art*, artists*, elmore*, inspiration*
Monday, August 13, 2018
Salton Seekers: My Frankensteinian Labyrinth Lord Campaign
Okay, so I'm doing a soft reboot of the Basic D&D campaign I started earlier this year. My group of old friends and I sorta stalled on the roleplaying for a while. But we're all basically back on a more normal adult responsibility schedule, so I'm deciding to kick things off again.
Also, while I love the pure nostalgia factor of using the B/X rules, I have so much stuff for Labyrinth Lord, from the referee screen to game supplements, that it made sense to shift over to using LL. As any OSR follower worth their salt knows, there's enough differences between B/X and LL to necessitate moving from one rule set to the other.
I'm still using the city of Salton I created as the foundation of the campaign. I'm letting players keep characters or create new ones, with all characters moving up to level 2 (based on prior play and XP gained). Just need to transfer characters to LL sheets!
As for the campaign world itself, I was primarily using the Dwimmermount world of Telluria as the basis for the campaign, and using some homebrew stuff tacked on (including Stonehell Dungeon). I've decided to move things over to a world I call "Æarth." I know, clever aren't I?
To pull back the curtain a bit, here's a list of older and new OSR products I'm using so far to cobble together my Frankensteinian campaign:
- Dolmenwood (from the pages of the Wormskin zine)
- Isle of the Unknown
- Frostbitten and Mutilated
- Blackmarsh (and possibly the larger Points of Light campaign setting)
- Stonehell Dungeon
- Maybe Dwimmermount again, if the characters head far enough south...
Okay, that's all for now! I'll be posting some session recaps as we go along! Happy gaming, y'all!
Posted at 9:56 AM 3 comments
Labels: basic dnd*, bx*, campaigns*, gamemastering*, happiness*, labyrinth lord*, salton seekers*
Friday, August 10, 2018
End-of-Week Caldwell (8/10/18): Alias and the Azure Bonds
I also appreciate the art of Elmore contemporary Clyde Caldwell! Those of us who played AD&D back in the late 80's and early 90's surely remember the illo above! The lady in the foreground with the impractical armor is Alias, the protagonist of the Forgotten Realms novel Azure Bonds (and the module Curse of the Azure Bonds). In the background is her friend...Dragonbait! Ah, the good old days!
Posted at 12:19 PM 0 comments
Labels: art*, artists*, forgotten realms*, inspiration*
Sunday, August 5, 2018
Score at the Vintage Store: Endless Quest Books!
So the male offspring and I went to The House of Fun in Oaklyn, NJ yesterday. It had been a while since we'd been there, and I've written before about their stash of D&D and other tabletop gaming material.
As the boy, as usual, drooled over the wall-to-wall press of old and new action figures and other stuff, I headed for the book shelves in the back. There was the usual stockpile of games including D&D modules and particularly a lot of Ravenloft stuff.
But lo and behold, what to my wondering eyes should appear but a small selection of random Endless Quest books! I also spotted something I'd never heard of: a Sagard the Barbarian adventure book. According to the Wiki entry, St. Gygax collaborated with Flint Dille, screenwriter for Transformers: The Movie and game designer/writer for games like Dead to Rights.
I figured I should grab a couple of the books for nostalgia's sake (you know how that goes). The store owner said they were $8 a pop, so I settled on two:
I was particularly glad to snag a copy of Return to Brookmere, being a fan of the cover illo by Larry Elmore. The interior art by Tim Truman is no slouch either (his stuff has a definite similarity to Elmore's work...perhaps that's why they were teamed up for this book?):
I picked up the other book, Duel of the Masters, mostly because of the artists: Clyde Caldwell for the cover and the late, great Keith Parkinson for the interior illos. I've honestly never seen anything done in black and white by Parkinson. I've always associated him with the incredible cover art he's done for gaming books and novels.
Anyway, I'm happy with these small scores! Have you picked up anything you're excited about that has fueled some nostalgia?
Posted at 1:27 PM 0 comments
Labels: artists*, dnd*, elmore*, gamebooks*, happiness*, nostalgia*
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